Free PDF The Guitar Arpeggio Compendium, by Scott McGill
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The Guitar Arpeggio Compendium, by Scott McGill
Free PDF The Guitar Arpeggio Compendium, by Scott McGill
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All serious guitarists looking for an in-depth study of arpeggios look no further. Includes two and three octave arpeggios that traverse the entire instrument from triads to altered thirteenths, arpeggios on scales, exotic scale arpeggios, polytonal arpeggios, quartal arpeggios, twelve tone arpeggios and more. Fingerings and pick stroke indications included for pick-style players. A must for the serious player looking to expand their harmonic concept and improve their technique, improvisational concept, knowledge of the fretboard, and aural recognition of advanced chordal structures.
- Sales Rank: #667681 in Books
- Published on: 2013-05-02
- Original language: English
- Dimensions: 11.00" h x .18" w x 8.50" l,
- Binding: Paperback
- 76 pages
About the Author
Named "The Thinking Man's Yngwie Malmsteen" by noted Jazz Author/Historian Bill Milkowski, Progressive Jazz/Fusion Guitarist, Teacher, Columnist, and Recording Artist Scott McGill is best known for his recorded work with celebrated bassists Michael Manring (McGill Manring Stevens) and Percy Jones (Jones McGill DeCarlo), Producer Neil Kernon, and bands FreakZoid and The Hand Farm. He holds an M.A. in Electric Guitar Pedagogy, is a Senior Lecturer and Course Leader in Jazz and Rock Higher Education.
Most helpful customer reviews
1 of 1 people found the following review helpful.
If you are serious about your craft...
By Kenneth P. Walker
...then you want this book! Scott McGill is not just a theorist sitting in a classroom, but a true grandmaster of the guitar both in performance and study. He has performed on a few of my songs, and I personally know some of this students. All are proficient musicians, and all of them attribute that to Scott's teaching methodology. Part of his teaching is, of course, theory. One can play a mile a minute, but if you don't know where you're going with your playing, how good will it truly sound? This book is literally the Bible of arpeggios. Sevenths, ninths, elevenths, thirteens, straight, broken, from one to three octaves in virtually any mode played--this is the book that puts the knowledge in your grasp. And now I have a secret--I play keyboards and brass. Yes, this book has helped me better understand how guitar players perform and construct chords and arpeggios. This, in turn, has helped me become more aware of how I can write guitar parts into my songs.
3 of 4 people found the following review helpful.
A must have for any guitarist
By David A. Bermingham
Scott McGill takes years of study with Tom Giacabetti and Dennis Sandole among others and captures literally tens of thousands of dollars worth of arpeggio studies in one concise book and then makes them his own with some unique insight and challenging exercises. Whether you are a beginner looking for the proper fingering and picking patterns for a 3 octave major 7th arpeggio or you are an advanced guitarist looking to expand your harmonic vocabulary and challenge what you thought you knew about the guitar, this book has something for you. I've been playing guitar for over 30 years and I learn something new on each page. I wish I had this book when I started 30 years ago!
0 of 0 people found the following review helpful.
Great material that gets you thinking about the most efficient way to play arpeggios
By dave bermingham
I just pulled this out again after having it sit on the shelf for a while. This is generally really good material to learn the most efficient way to play just about any arpeggio you could imagine. However, there are a few editing mistakes you will need to fix. Just for a few examples are below:
- The C7 (version1) descending arpeggio in the an Eb on the staff
- Minor 7 (version 1) picking pattern would make sense if the G was played on the 2nd string, but the fingering and string markings places the G on the 3rd string. Either string could works but the picking pattern notated would have you playing two down strokes one the same string if you play it as notated.
-Minor 7b5 arpeggio ascending has a weird fingering going from Gb (4) to Bb (2) in the second octave. It makes more sense to use 3 and then 4 and play the C on the 1st string with your 1st finger.
Scott is a great player and this material is pretty awesome, but keep in mind that there may be a few editing mistakes you may need to correct.
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