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An enthralling literary debut that tells the story of a young girl’s coming of age in the cutthroat world of New York City ballet—a story of obsession and the quest for perfection, trust and betrayal, beauty and lost innocence.
In the roiling summer of 1977, eleven-year-old Mira is an aspiring ballerina in the romantic, highly competitive world of New York City ballet. Enduring the mess of her parent’s divorce, she finds escape in dance—the rigorous hours of practice, the exquisite beauty, the precision of movement, the obsessive perfectionism. Ballet offers her control, power, and the promise of glory. It also introduces her to forty-seven-year-old Maurice DuPont, a reclusive, charismatic balletomane who becomes her mentor.
Over the course of three years, Mira is accepted into the prestigious School of American Ballet run by the legendary George Balanchine, and eventually becomes one of “Mr. B’s girls”—a dancer of rare talent chosen for greatness. As she ascends higher in the ballet world, her relationship with Maurice intensifies, touching dark places within herself and sparking unexpected desires that will upend both their lives.
In the present day, Kate, a professor of dance at a Midwestern college, embarks on a risky affair with a student that threatens to obliterate her career and capsizes the new life she has painstakingly created for her reinvented self. When she receives a letter from a man she’s long thought dead, Kate is hurled back into the dramas of a past she thought she had left behind.
Told in interweaving narratives that move between past and present, Girl Through Glass illuminates the costs of ambition, secrets, and the desire for beauty, and reveals how the sacrifices we make for an ideal can destroy—or save—us.
- Sales Rank: #41785 in eBooks
- Published on: 2016-01-26
- Released on: 2016-01-26
- Format: Kindle eBook
Review
“A tragic depiction of a girl adored far too soon by a grown-up world…Artfully rendered through the viewpoint of an adolescent dancer who performs with great maturity while remaining fatefully naïve...So visceral, so real.” (Washington Post)
“Masterful…Wilson’s New York City imagery is applied exquisitely and dynamically…In the end, the well-honed story line of GIRL THROUGH GLASS is not unlike a certain kind of stylized psychological ballet, á la Antony Tudor, with heightened characters dancing along dire boundaries. Powerfully stark.” (Los Angeles Review of Books)
“A haunting portrait of obsession, ambition, sacrifice, and the secrets one woman thought she left in the past.” (Buzzfeed)
“A nimble, nuanced psychological drama that leaps through time and place with an appropriate and assured agility...Wilson speaks with vibrant authority and acute vulnerability as she exposes the conflicted and competitive behind-the-scenes world of professional ballet.” (Booklist (starred review))
“Intense and mesmerizing.” (People Magazine)
“The book’s subject is less the ballet itself than the costs of early virtuosity—the feeling of being propelled by a force you don’t understand and can’t control—and the dangerous intoxication of the perfect, weightless moments when everything but ‘air, motion, height’ falls away.” (New York Times Book Review)
“Few novels have affected me as deeply as Sari Wilson’s GIRL THROUGH GLASS…I loved, loved, loved this novel. So much so that I hid from my kids in the bathroom so I could read it!” (Joanna Rakoff, author of MY SALINGER YEAR)
“Powerful. Gripping. Incandescent…As powerful storytelling kept me turning the pages, Wilson’s extraordinary voice whispered to me about the things that both bind and divide us: desire, ambition and love. This book will stay in my heart for a long time.” (Jean Kwok, New York Times bestselling author of GIRL IN TRANSLATION)
“Wilson’s take on the New York City dance scene is pungent and vivid and slyly satirical…This novel of a girl who grows up way too soon is deftly plotted and beautifully written, and is about as suspenseful and affecting as a coming-of-age story can be.” (Daniel Orozco, author of ORIENTATION AND OTHER STORIES)
“An astonishing debut. At once chilling and sensual, furious and tender, GIRL THROUGH GLASS…will leave you haunted, mesmerized, and wanting more. I loved it.” (Elizabeth L. Silver, author of THE EXECUTION OF NOA P. SINGLETON)
“Only a writer of very remarkable gifts could have the stylistic brilliance, the athletic daring, speed, power of ellipsis, the leap—to tell this dark story correctly, and to bring to life its principals…In her stunning first novel, Sari Wilson has done just this.” (Jaimy Gordon, author of LORD OF MISRULE, Winner of the National Book Award)
“GIRL THROUGH GLASS explores a lost New York through the eyes of a gifted young dancer struggling to harness the ecstatic power she wields…Lush with the shame and exhilaration that lie at the lip of adolescence, Sari Wilson’s debut novel bravely explores the risks of celebrating precocity.” (Miranda Beverly-Whittemore, New York Times bestselling author of BITTERSWEET )
“Sari Wilson has created a dark and beautiful world in these pages filled with complex and fascinating characters. GIRL THROUGH GLASS is an impressive debut novel that will thrill readers with its steadily mounting tension, which builds, layer upon layer, to a surprising and satisfying conclusion.” (John Searles, bestselling author of HELP FOR THE HAUNTED and STRANGE BUT TRUE )
“In her lyrical debut novel, GIRL THROUGH GLASS, Sari Wilson explores the beauty and complexity of time and the emergence of a woman’s identity. This engrossing story, told with great artistry, captures the romance and rigor of art-making. Sari’s prose is balletic: elegant, musical, and captivating.” (Ruth Ozeki, bestselling author of A TALE FOR THE TIME BEING, shortlisted for the Booker Prize and the National Book Critics Circle Award)
“A debut novel of exceptional daring and verve, Sari Wilson’s GIRL THROUGH GLASS is a chilling, evocative portrait of the 1970s New York dance world and the young lives it consumed.” (Kate Walbert, author of OUR KIND, National Book Award finalist)
“…an intense, engrossing novel.” (National Review)
“Uniformly engrossing…Mira and Maurice’s relationship has the fairy tale feel of Beauty and the Beast, but the pages brim with the realism of gritty, crime-riddled New York…Surprising and bittersweet…elevates the coming-of-age story with a dark undercurrent about the cost of obsession.” (Publishers Weekly)
“An absorbing novel, rich with detail both about ballet and New York. Alongside the unusual setting of Mira’s realm of dance are the…emotional struggles of a young woman dealing with adolescence, complicated by precocious talent…For readers who appreciate complex characters and a carefully crafted style.” (Library Journal)
“Compelling…Mira’s story is fueled by a rage that burns intensely; the sacrifice, the dark side of her pursuit, will touch readers to the core…This portrayal of a ballerina’s transformation and sacrifice burns with the beauty of fire: it’s powerful, it’s destructive, and it dares you to try and look away.” (Kirkus Reviews)
“…a complex coming-of-age debut.” (The Week)
“Poignant, dark and powerfully written…” (PureWow)
“Wonderful…Sari’s writing is a thing of beauty; her expressions are refreshing and original… She exposes the stark realities of the ballet world with an authenticity that will make real ballerinas nod in agreement, and delivers it in a beautifully written story about characters I came to love.” (InsideBallet.com)
From the Back Cover
An enthralling literary debut that tells the story of a young girl’s coming-of-age in thecutthroat world of New York City ballet—a story of obsession and perfection, trust and betrayal, beauty and lost innocence
In the roiling summer of 1977, eleven-year-old Mira is an aspiring ballerina in the romantic, highly competitive world of New York City ballet. Enduring the mess of her parents’ divorce, she finds escape in dance—the rigorous hours of practice, the exquisite beauty, the precision of movement, the obsessive perfectionism. Ballet offers her control, power, and the promise of glory. It also introduces her to forty-seven-year-old Maurice DuPont, a reclusive, charismatic balletomane who becomes her friend and mentor.
Over the course of three years, Mira is accepted into the prestigious School of American Ballet, run by the legendary George Balanchine, and eventually becomes one of “Mr. B’s girls”—a dancer of rare talent chosen for greatness. As she ascends in the ballet world, her relationship with Maurice intensifies, touching dark places within herself and sparking unexpected desires that will upend both their lives.
In the present day, Kate, a professor of dance at a midwestern college, embarks on a risky affair with a student that threatens to obliterate her career and capsize the new life she has painstakingly created for her reinvented self. When she receives a letter from a man she’s long thought dead, Kate is hurled back into the dramas of a past she thought she had left behind.
Moving between the past and the present, Girl Through Glass illuminates the costs of ambition, perfection, secrets, and the desire for beauty, and reveals how the sacrifices we make for an ideal can destroy—or save—us.
About the Author
Sari Wilson trained as a dancer with the Harkness Ballet in New York and was on scholarship at Eliot Feld’s New Ballet School. She was a Wallace Stegner Fellow at Stanford University, a fellow of the Provincetown Fine Arts Center, and her fiction has appeared in Agni, the Oxford American, Slice, and Third Coast. She lives in Brooklyn with her husband, the cartoonist Josh Neufeld.
Most helpful customer reviews
23 of 25 people found the following review helpful.
Girl Through Glass
By P. Woodland
I don’t know how to classify this book; it’s not really a ballet book even though there is much about ballet in it. It’s not a love story, it’s not chick lit. It is fully engrossing and my first 5 star read of the new year. I wanted to turn around and start reading it again but my reading schedule doesn’t allow for that. It’s not the type of book I usually read with lots of back and forth in time and characters that are not always likable but it is powerfully written and hard to put down.
I admit to a fascination with dancing and ballet specifically. Most young girls of my age were taken to dance school as children. I believe my classes started when I was 5 or 6. I took ballet and tap – it was just what was done. While I never had the ability to do anything more than dance once and a while with my husband I did develop a strong love for the art of the dance. So any time I see a book about the subject I am all over it. While Girl Through Glass wasn’t specifically about the ballet world there was enough to draw me in and the writing and the rest of the story kept me there.
It’s a book about secrets, bad family relationships and trying to find exactly what you are looking for. Mira is a child of a broken home and she only seems to find peace in the rigid structure of her ballet classes. She grows much too mature before her time and her mother is an unmitigated disaster as a parent. Mira’s story is told from the past. Kate is a former dancer who is now a teacher at a college in the Midwest but her position is not secure and she is a little brittle. She makes a disastrous mistake that sends her looking to her past. Her story is told from the present. The two seem to have little to do with each other – until they do.
It is more a book about emotions and life than ballet. It is a book that makes you wonder about the sacrifice that is required for many things – not just something like ballet – and the impact of one’s actions. A really thought provoking book
I received a free copy for my honest review
10 of 10 people found the following review helpful.
Great literary fiction about dance
By Terez Rose
To call Sari Wilson’s mesmerizing debut novel, GIRL THROUGH GLASS, merely “dance fiction” comes close to missing the point. First and foremost, it is a work of literary fiction, searing and luminescent, chronicling a young girl’s coming of age in 1970s New York amid the highly competitive world of pre-professional ballet. This is Balanchine’s fabled New York City Ballet era, where young girls risk growing up way too fast in their steadfast desire to become “one of Mr. B’s girls” and rise to stardom.
The story features two narrators, two time frames. Largely every other review here mentions synopsis details; I won’t duplicate their efforts. There is parental inattention, separation, too much independent time for the eleven year old Mira. But ballet at the pre-professional level, in truth, not just allows but demands this kind of parent-free environment. It starts early, the grueling work, the pursuit of perfection, of ideal body and line, of art. Being not just thin but aspiring to Balanchine’s ideal: small head, long legs, tall, whippet-thin, high arches and extensions. Girls in this world harbor innocence and yet, paradoxically, incredible worldliness. In some ways, it’s no surprise that Mira is befriended by forty-ish Maurice, a mysterious figure (I appear to be alone in not finding him creepy), lame from polio, a wealthy balletomane and donor who mentors her, their intimacy increasing through her ensuing adolescent years.
Wilson created this character with such compassion. She made me like Maurice, feel sympathy for both him and the fatally naïve Mira, want them to spend time together nourishing each other (creepy as it may seem to some, they really do), ever aware of the awful train wreck that awaits the characters, knowing it can’t end well, and indeed, it doesn’t.
I found myself equally interested in the second narrator, former dancer-turned-academic Kate, a dance historian professor whose university position is at risk following a teacher-student indiscretion. Kate has secrets, buried pain, makes bad choices, likely as a result of not having closure on the pathos of her past. A letter, a trip to New York over spring break, ties the two stories together nicely.
Wilson is a former ballet dancer and it shows. She managed to touch on crucial ballet details that differentiate writers trying to describe ballet versus writers who have danced and harbor that bit of ballet dancer eternally in their soul. The same masterly touch applies to the story pacing, its trajectory, its character development, its sense of place. As a former dancer, she nailed the illumination, the pressure, the yearning, the high, the precipitous fall, the recovery – and you never really recover from losing ballet when ballet is your world.
One way GIRL THROUGH GLASS eases its literary grip in a satisfying way is in the story’s conclusion. There was not this “all must be sacrificed to the beauty that is pain, or the pain that is the human condition” that one so often finds in literary fiction. Dancer-turned-author Adrienne Sharp writes some of the most beautiful literary fiction about ballet dancers that exists, but there is such sadness all the way through and right to the end. The conclusion of GIRL THROUGH GLASS was very real, memorable, tinged with hope for healing that comes after confronting the shadows of one’s past. As a former ballet dancer who’s struggled with the concept of ‘back then” versus “what comes after,” I just loved this angle of the story. A highly recommended read for those who enjoyed Adrienne Sharp’s FIRST LOVE and WHITE SWAN, BLACK SWAN and Maggie Shipstead’s ASTONISH ME.
Terez Mertes Rose
The Classical Girl
10 of 10 people found the following review helpful.
A must read for anyone who danced ballet in the 1970s but easily appreciated by younger dancers.
By Hands On Equine
As a former dancer myself, I'm always excited to see a work of fiction about the ballet world, especially one that is said to have real verisimilitude. Girl Through Glass didn't disappoint, and I found myself eager to get to the next chapter during the three days I devoured it.
The author clearly writes from a knowledgeable viewpoint about the 1970s, ballet, the School of American Ballet, and New York City. I enjoyed the two narrative viewpoints and how the plot lines were woven together, as well as the many details about the young protagonist's training. I'm not sure I can relate to (empathize with?) her personality, which seems to have been formed from her being alternatively abandoned and coddled at exactly the wrong times. (Is she mildly sociopathic?)
But there are so many details Wilson gets right that I found myself willing to overlook my inability to resonate with Mira. Lines like "But Robin's thinness is an ethereal slightness, whereas this girl's thinness is one of will" just slayed me with their simple cutting to the truth of the harsh realities of the ballet world.
I'm not sure I ever understood Mira's attraction to her older suitor. From an intellectual standpoint, I understand that he has a kind of Svengali hold over her, but I was never made to feel the reason why. My only other critique of the book is the spelling of the ballet term "tendu" as "tondue." I'm not sure if that was supposed to be an attempt at a Russian accent or a typo. In a ballet book with so many other accurate minute details, that word stuck out rather loudly.
Overall an engaging read, with wonderful details about the world of elite NYC dancers in the '70s (mentioning David Howard's studio and Steps was, for example, a nice touch). Even if you are a generation younger, you will appreciate these descriptions, many of which are still true today.
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