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• Binding: Hardcover

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[I282.Ebook] Download Introducing Sociolinguistics, 2nd edition, by Miriam Meyerhoff

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This second edition of Miriam Meyerhoff’s highly successful textbook is supported by the Routledge Sociolinguistics Reader and online resources common to both books. It provides a solid, up-to-date appreciation of the interdisciplinary nature of the field covering foundation issues, recent advances and current debates. It presents familiar or classic data in new ways, and supplements the familiar with fresh examples from a wide range of languages and social settings. It clearly explains the patterns and systems that underlie language variation in use, as well as the ways in which alternations between different language varieties index personal style, social power and national identity.

New features of the second edition:

• a wider range of approaches to politeness theory incorporating an international range of research
• expanded sections on multi-lingualism and code-switching, social class, dialect contact and tracking change over time 
• linkage to the new Routledge Sociolinguistics Reader which can be used alongside this textbook, allowing students to supplement and build on material covered in the textbook.
• a shared website serving both Reader and Textbook which includes web- and video-links, interactive exercises and an expanded online glossary at: www.routledge.com/textbooks/meyerhoff
• a refreshed text design to assist navigation through textbook and reader.

Each chapter includes exercises that enable readers to engage critically with the text, break-out boxes making connections between sociolinguistics and linguistic or social theory, and brief, lively add-ons guaranteed to make the book a memorable and enjoyable read. With a full glossary of terms and suggestions for further reading, this text gives students all the tools they need for an excellent command of sociolinguistics.

• Sales Rank: #743423 in Books
• Published on: 2011-02-11
• Released on: 2011-02-03
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x .83" w x 7.44" l, 1.60 pounds
• Binding: Paperback
• 368 pages

Review

‘A welcome introduction to sociolinguistics by a leading researcher in the field. Users will be inspired by the breadth and sweep of Meyerhoff’s treatment.’ – William Labov, University of Pennsylvania, USA

‘Authoritative, yet open-minded, innovative yet touches all the bases that need to be touched. It embodies a passion for sociolinguistics that I hope many readers will embrace.’ – David Britain, University of Essex, UK

‘A great book … easy to read and by far the most easily accessible introductory text for sociolinguistics.’ – Nanna Haug Hilton, Centre for Language and Cognition, University of Groningen 

 

 

About the Author

Miriam Meyerhoff has taught sociolinguistics in places as diverse as New Zealand, Hawai'i, the mainland United States, Vanuatu and Scotland. She has consulted on sociolinguistic issues for the print and broadcast media and published books and articles on language variation, language and gender, and language contact. She is currently Professor of Sociolinguistics at the University of Auckland, New Zealand.

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2 of 2 people found the following review helpful.
The Kindle Version did not properly format the text correctly ...
By Will
The Kindle Version did not properly format the text correctly. Whenever there is a text box regarding a side note (usually at the bottom or top of the page), Kindle would insert it improperly between the text (especially between sentences), causing much confusion when reading the text. The actual text includes formatting (such as text box borders) that is not available on the Kindle version. If I learned anything, it's to never buy a textbook for Kindle. Get an actual PDF or physical copy.

1 of 1 people found the following review helpful.
but I did not enjoy this text
By AARON BEASLEY
Perhaps my rating is due to the fact that this was the main course text for my doctoral sociolinguistics class, but I did not enjoy this text. This would be a good introductory text for an undergrad or masters course, but certainly not for phd level work. One positive: it is highly skimmable.

1 of 1 people found the following review helpful.
Wonderful
By Dia Sotiropoulou
The title of this review pretty much summarizes it. Assumes the competency of the reader enough to be fairly technical, but does not go over his/her head with unnecessary academic jargon.

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[Q471.Ebook] Ebook Free Salt, by Jeremy Page

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A family saga that explores the relationship between people and the landscape in which they live, Jeremy Page?s atmospheric and lyrical debut novel is revelatory in its use of language and is the work of a significant new writer. Salt tells of a German airman who falls from the sky in 1945 and lands in the middle of a salt marsh in England. Goose, a local woman, digs him up and brings him home. After staying for just nine months, he vanishes in a makeshift boat, leaving Goose behind with a newborn daughter, Lil. Taught to read the clouds by her mother, Lil?s childhood is curious and strange, but when she becomes the object of two brothers? desire, her life takes a tragic turn. Fifteen years later, it is Lil?s son, Pip, who attempts to make sense of his family?s intriguing history. Beguiled by the lovely Elsie who lives nearby, Pip grows up in the marsh like generations before him?but will their unfortunate past repeat itself?.

• Sales Rank: #1149940 in eBooks
• Published on: 2008-08-26
• Released on: 2008-08-26
• Format: Kindle eBook
• Number of items: 1

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3 of 3 people found the following review helpful.
As I Closed The Back Cover, I Closed My Eyes And Said A Silent Thanks For A Tale Well Told
By Hannah Bochart
Once, long ago, there was a time when books could rise through the ranks of their peers to stand as timeless classics that needed only their title and author as an introduction. GRAPES OF WRATH, CATCHER IN THE RYE, THE SOUND AND THE FURY, MOBY DICK, LITTLE WOMEN, A TALE OF TWO CITIES, all of these monoliths will ever need is their reputation to proceed them. Those days are gone, my friends. In bookstores of today the shelves are lined with so-called classics that only need a stamp of approval from Oprah's Book Club (which usually requires a certain amount of sap oozing from the material) to gain attention. Fleeting attention, I should say, since the self-life of fame is short in the written world these days. And in the flood of ready-made popularity, true, timeless gems are swept away into the shoals of obscurity. Such is the case with SALT. When I found a copy of it sitting on the shelf of a local bookstore, I was intrigued by the unlikely cover, and so, ignoring the ancient warning, judged it to be a worth while expenditure. And this time, I was right to have done so.

The tale begins not with an introduction to the narrator, as one would expect, but on the windswept flats of Norfolk, England. The year is 1945, the "Good War" was almost over, and being incapacitated on the shores of enemy soil is one place a young German soldier would not wish to find himself. But there he is, sunk neck-deep in a salt marsh, at the mercy of a strange young woman who happens to be passing by. Without a second thought given to wartime etiquette, Goose, as we learn the girl is called, fishes "Hands," as she mistakenly calls him, from the grip of the marsh, takes him home, cleans him up, and cooks him a meal. And so Hands stays, at least until Goose, nine months later, goes into labor with the child they conceived. At this point, Hands vanishes out to sea on a makeshift boat, leaving Goose to deliver the child alone.

We are then privy to the tale of Goose and Hands daughter, Lil' whose strange upbringing causes her to be something of an enticing mystery to a pair of brothers with the unlikely monikers of "Shrimp" and "Kipper." This attention eventually sees her off the marsh in disgrace at age 16, with the younger of the brothers at her side. She and her young, almost-husband, move inland to start a different life together. At last, ninety-two pages in, we meet our strange narrator: Pip. A child born without a cry, much to his parent's dismay, and who, from his first moments out of the womb on, never utters a word. Pip communicates with the outside world by means of a notebook that always hangs about his neck, but we lucky ones are allowed a look inside Pip's head, which is a strange place indeed. He tells his tale in an almost non-linear fashion, alluding to future events as though they have already happened and describing his dreams and fantasies as though they were really happening, only to snap back to reality several pages later. Through his few lucid moments we begin to understand that the pain and suffering that spans generations has compounded to produce young Pip, a walking manifestation of his mother's and grandmother's shadows who is, at the same time, very much his own soul. So, it is through the eyes of a boy who may or may not be mad that we see this tale unfold against the haunting backdrop of the Norfolk salt marshes, a landscape that begins to become a character in and of itself, both sinister and breathtakingly lovely.

SALT is a difficult read, but one that calls upon the reader to rise the challenge, and dive head first into Mr. Page's lace-like prose. Whether or not the world may herald this tome as a classic or not, my copy sits firmly beside Hemingway and Steinbeck, never to budge. Bravo.

1 of 1 people found the following review helpful.
Hidden Gem
By W. Eilers
I found this to be an amazing debut written with the confidence as old and weathered as the setting. Page creates a world that is seductive, darkly sweet in landscape and story perpetually damp and dreary.

0 of 3 people found the following review helpful.
Too Deep for its Own Good
By Anne B. Duggan
After reading the jacket cover, I was excited about this interesting historical fiction. I thought it would not be run-of-the-mill story, which it was. However, the author decided to be "deep." And by deep, I mean vague. I think I missed half of the plot because the author was so busy discussing the events in metaphorical terms and saying what happened by not saying it that he never actually tells the reader what happened. It was extremely frustrating, because overall the story idea was good.

Unfortunately, a good plot idea doesn't go far if the author doesn't convey it. This book was so "deep" and "meaningful" that it was just vague and confusing.

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[C204.Ebook] Free PDF Shostakovich and His World (The Bard Music Festival)From Brand: Princeton University Press

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Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them.

The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite.

The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, décor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki. David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich.

• Sales Rank: #1899734 in Books
• Brand: Brand: Princeton University Press
• Published on: 2004-08-15
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .95" w x 6.14" l, 1.34 pounds
• Binding: Paperback
• 432 pages

Features

• Used Book in Good Condition

Review
"An important contribution to the discussion on Shostakovich."--Library Journal

About the Author
Laurel E. Fay is an independent scholar and author of "Shostakovich: A Life", which won the 2001 Otto Kinkeldey Award of the American Musicological Society. She has written and lectured extensively on Russian and Soviet music.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Excellent compendium of various essays on DSCH and his music
By G.C.
This book is part of a series of volumes that have been published since 1990 as offshoots from the Bard Music Festival, which examines the music of one composer in depth each year. Laurel Fay, celebrated or reviled in various quarters for her studies on Shostakovich, is the editor of this compilation, but she does not contribute an essay herself. The scholars here come from a variety of nationalities, including Russian, American and British.

Each essay is a stand-alone work, where there isn't necessarily a single unifying "concept" to the whole book, except Shostakovich himself, of course. Thus there is a "grab bag" quality about this collection, but it's a very substantial grab bag. Some chapters, such as by Christopher Gibbs and Simon Morrison, deal with single compositions of Shostakovich. Other authors, like Caryl Emerson, David Fanning, and Peter Schmelz, address broader themes beyond single works. The first two chapters deal more with raw biographical material, namely Shostakovich's letters, in Chapter 1 as a young man to his mother, and in Chapter 2 from the composer to Stalin and other functionaries, where he basically curries favor with the "Great Leader" and the authorities. This gives a new twist and perspective to the brutal denunciation of Soviet composers in 1936 and 1948 and Shostakovich's place there.

By the nature of its source, this book does not pretend to give a broad overview of Shostakovich's life, but examines more specialized subjects in depth. So this book might appeal more to Shostakovich aficionados rather than the person just trying to get acquainted with his music. With that in mind, however, this collection is a rich feast.

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[C204.Ebook] Free PDF Shostakovich and His World (The Bard Music Festival)From Brand: Princeton University Press Doc

[C204.Ebook] Free PDF Shostakovich and His World (The Bard Music Festival)From Brand: Princeton University Press Doc

[C204.Ebook] Free PDF Shostakovich and His World (The Bard Music Festival)From Brand: Princeton University Press Doc